Human Rights. Who will speak for those in the caravan?

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Puebla Mexico.

Someone has to speak out for the peoples in the caravans escaping from war-torn brutal violent countries only to find themselves, victims, once more. Yes, call me a bleeding heart; I don’t give a damn! They are human beings just like you and I. The main difference is we get to sit in the comfort of our homes or internet cafes and read about them from a distance.

It’s so easy to ignore their plight, or worse, as in the case of many in the US Administration, to claim they are all rapists and murderers.

But here is what is really happening to those whom no one cares if they live or die:

Reprinted from HP Mexico.com today:

The case of the massive kidnapping of migrants that occurred on November 3 in Veracruz, and that were later turned over to members of organized crime in an unknown place in Puebla, is no longer just the saying of a state ombudsman. Now, it is a case officially investigated by the Attorney General of Puebla, which has evidence of the crime.

In the case file, the Ombudsman for Human Rights of the People of Oaxaca (DDHPO) -a public autonomous body- turned over the testimonies of three witnesses to the kidnapping. One of those people, whose identity remains unknown for their safety, revealed in a sentence the magnitude of what those Central Americans deprived of their freedom in Mexico would be living: “65 children and seven women were sold”.

The new details of the kidnapping suggest that the criminals took advantage of the fact that on the afternoon of November 3, the governor of Veracruz, Miguel Ángel Yunes Linares, withdrew his offer of 150 free trucks so that the caravan would not have to walk to Mexico City. a territory where hundreds have disappeared, a product of the corruption of the municipal police besieged by the war between Los Zetas and the Cartel Jalisco Nueva Generación.

The late announcement of the governor, almost at nightfall, anguished the migrants who would be left out in the open in this dangerous area. Coincidentally, three vehicles arrived to “assist them”: a truck with orange, plate KY 88 765 of the State of Mexico; another, GX 3391C plate from Guerrero; and a truck, plate KXC 7906, according to the investigation.

Unlike the drivers who help the migrants and who use vehicles with the open tray, the box of those trucks was closed with padlocks so that from the outside you could not see what or who was transporting.

We wanted to get to Mexico City quickly, said a woman who is currently in the Ciudad Deportiva shelter in the Mexican capital. A boy dressed in black, chubby, told us that we had to pay 150 pesos. Already by Tierra Blanca, he told us that we had to pay 50 pesos more. We told him that we no longer had money. Passing a bridge and there were eight hooded men. One entered the truck and said that we were all sold. All said: the 65 children and seven women were sold.

These statements coincide with those published today by the veteran journalist Blanche Petrich in the newspaper La Jornada, about the number of children victims of mass kidnapping.

Arturo Peimbert, head of the Ombudsman for Human Rights of the People of Oaxaca, who originally told this story, told HuffPost Mexico on Thursday that he insisted that no one gets into those vehicles, but the desperation and fear of being stranded won to several migrants.

The details of how the witness escaped are not clear. The fear is silenced by some parts of the story, which tomorrow could reach the Attorney General’s Office in the form of a federal complaint.

A second witness of the DDHPO adds more details of what happened that night and says that those responsible would be part of a heavily armed group. The area where they would have been kidnapped is a territory once dominated by Los Zetas.

“We had to walk in front of Tierra Blanca, we usually ordered raite (a free ride) and this is what we did.” A truck stopped, one of those cars was closed and men got out, they were armed and forced many to get on. They went up to about 50, “the statement read.

According to the witnesses, the perpetrators carried long weapons and guarded them all the way to Puebla. Somewhere, near an installation of the Federal Police, the armed commando wanted to change the vehicle victims and there several took the opportunity to flee.

So far, said the ombudsman Arturo Peimbert, nothing is known about the children and women who would be in the power of organized crime. Their fear is that they are victims of illegal activities such as forced labor and sexual exploitation.

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About Lynda Filler writes fast-paced page-turners that are based on real-life events happening in the world today. This week she will be in Miami to receive a book award for Contemporary Fiction-Social Issues Lie To Me an exposé on sex for money.

You can find her novels and her memoir on Amazon.

This is the last day for VANISHED in the Sun on sale at .99 cents. It’d dedicated to the Missing 43 Students who commandeered a bus to take part in a march in Mexico City in 2014 and have never been seen since! The UNHRC is still trying to find where their bodies are buried but it’s assumed the bodies have been cremated.

 

How do you do that thing you do so well?

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It’s a common question asked by those who want to write a novel. I hear this all the time on Quora. Where do you begin? How? Where do you get your ideas? Do you plot? Do you ‘wing-it?’ How do you do that thing you do–so well?

Let’s talk about my latest release, SILK ROAD Code Raven 6. It’s a great example of my personal writing process and may help you to get started on yours!

It starts with a word. I asked a friend, fellow author, to give me a country. In this case, it was Kyrgyzstan–a country that had no meaning to me. If you’re familiar with the Code Raven Series, you would know that not only do I love my characters and develop them further with each story, but I also love to take them to different countries around the globe to get into–and out of–trouble!

In my research about Kyrgyzstan, I came across the history of how this country was once a part of the Soviet Union. I already had a rough idea of the Russia/Asia part of the world but didn’t know much about the terrain. If you are anything like me, once you go on the world-wide-web, one search turns into another, and another, and before you know it, you’re off on a tangent for no particular reason. In my case, my interest was piqued by the crime lords who moved in to fill the void of a legitimate government. Corruption of all types runs rampant in this predominately Muslim country.

At this point, I became intrigued by the historical implications of this centuries-old area and the original Silk Road–the trading route moving through Asia from the East to the West.

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Without giving away the plot, let’s just say that I became intrigued by the human condition and in particular how turmoil and greed affect women and children around the globe.

HERE’S MY PROCESS:

  1. Out comes the excel spreadsheet. 
  2. Usually, I reprint the Characters names across the top of the sheet so I don’t mix up attributes, history, or activities, timelines, etc. This is important when writing a series. You would work the same way as you introduce new characters in your novel even if it’s a stand-alone book. I also used this process on my memoir LOVE The Beat Goes On
  3. Chapters numbers down the left side column.
  4. Next column a key phrase to summarize what will happen in that chapter.
  5. The next column will give more detail, possibly a paragraph of key events.
  6. In the planning stages, I might color code the chapters. If it’s fiction and action, I might color code an action event RED, something that moves the plot along in YELLOW, and a relatively soft aspect, emotional, resting chapter might be soft green. This way you can make sure you don’t lose your reader by dropping the pace. Inevitably all my reviewers say this series is ‘fast-paced.’ You want that when writing a mystery. Otherwise, your fans will get bored and put your book down! We want them to read it in “one sitting!”
  7. The chapters continue down the page until the end.

Why a spreadsheet?

I use this concept if I’m writing Action/Adventure/Mystery or Contemporary Romance or Non-fiction like my memoir. Why?

  1. It’s easy to cut-and-paste therefore changing the sequence of events, or slotting in a new chapter!
  2. You can see the entire story in one place. 
  3. The spreadsheet allows you to edit the events along the way inserting, expanding where you find your plot to be weak.

My process is always fluid. I never set a rigid plot.

Sometimes I start with one idea and watch the following events move down the page. The thoughts, ideas I have may never make it to the final story. But here’s the key: one idea leads to another, and another, and another. And my story starts to take shape from that original one word. Example:

Silk Road. Trade. Smuggling. The new Rail service from the coast of China all the way to London, England! Think about the potential here. Imagine all the events that could happen along the way! And that’s how the story moved along. And then I found activities in the Maldives that I decided to connect. And one of my main characters, Zach was summoned to Washington DC by the frightening pleas from a SEAL friend he served with in his Afghanistan/Bin Laden days.

Here’s a couple of teasers so you get a feel for the final story:

A former Navy SEAL gets a terrifying message from his estranged daughter. “I’m desperate! I need your help, Dad. Bring your friends!”

“They stole my baby Daddy! They’ve got my boy!” Will a team of ex-SEALs break US law to exact revenge?

A teenager is abducted in Kyrgyzstan. Has she become one of many kidnapped brides? Or is something far more frightening going on? The corrupt authorities ignore the parents’ pleas for help.

A new Silk Road train stretches from the eastern shores of Yiwu China to London, England. Its precious cargo is not what’s written on the manifest.

When two young children are abducted in the middle of the night from Raven’s sanctuary in the Maldives, Luci, Luke, and the Raven Group will stop at nothing to get them back.

Are all these horrific events linked?

If I’ve peaked your interest and you want a great read, written in the style of Lee Childs, David Baldacci, or Clive Cussler, get your copy on Amazon: Silk Road

 

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